Los Angeles–based artist Amy Adler works across the disciplines of drawing, performance, photography, and film. For nearly three decades she has blended narrative fiction, appropriated imagery, and personal history to generate images that occupy the tension between what we are given visual access to and what is withheld.

Amy Adler, Nice Girl, installation view at the Orange County Museum of Art, 2025

Amy Adler, Nice Girl, 2025
Nice Girl presents a new body of oil pastel works that investigate the ubiquitous social media mirror selfie, reflecting how people both see themselves and share outward their own reflections.

Amy Adler, Nice Girl, installation view at the Orange County Museum of Art, 2025

Amy Adler, Nice Girl, 2025

Amy Adler, Nice Girl, 2025
Across the 21 canvases that comprise the show’s installation, a series of anonymous young women meet our eye, each having made the choice to share their likeness online with the public.

Amy Adler, Nice Girl, installation view at the Orange County Museum of Art, 2025

Amy Adler, Nice Girl, 2025

Amy Adler, Nice Girl, detail, 2025

Amy Adler, Nice Girl, 2025

Amy Adler, Nice Girl, installation view at the Orange County Museum of Art, 2025

Amy Adler, Nice Girl, 2025

Amy Adler, Nice Girl, installation view at the Orange County Museum of Art, 2025

Amy Adler, Nice Girl, 2025
Raising questions of identity, femininity, youth, imagination, and performativity, Adler’s process is intimate, laborious, and physically demanding, requiring time not generally reserved for our contemporary mode of image viewing. Nice Girl demands a slowing down, asking us, as viewers, to examine the power dynamics inherent in the creation of an image and to reflect on our own assumptions about what makes someone a “nice girl.”

Amy Adler, Nice Girl, installation view at the Orange County Museum of Art, 2025

Amy Adler, Nice Girl, 2024

Amy Adler, Nice Girl, 2025

Amy Adler, Nice Girl, detail, 2025