Night Gallery is thrilled to present a curatorial residency at Christie’s San Francisco for Blush, a group exhibition featuring works by Sarah Blaustein, Cynthia Daignault, Mira Dancy, Wanda Koop, Lily Kwong, Anne Libby, Sarah Miska, Elise Rasmussen, and Jane Swavely.
Blush, installation view, 2026
Jane Swavely, Light Trap #6, 2024
oil on canvas
73 x 61 in
Lily Kwong, Three False Clovers, 2026
expired Ilford photo paper
13 1/2 x 10 1/2 in
Blush, installation view, 2026
Sarah Blaustein, Orange Blue Fog, 2026
ink and acrylic on canvas
40 x 40 in
Blush, installation view, 2026
Elise Rasmussen, the 4th (Spiral Jetty), 2024
archival pigment print, walnut frame
60 x 48 in
Blush, installation view, 2026
Technology haunts the contemporary landscape, filtering even our most intimate encounters with nature and beauty. As artificial intelligence reshapes creative practice and daily life, these artists consider what it means to make, to see, and to exist in an increasingly mediated world.
Mira Dancy, Canyon Crest Oaks, 2025
oil and acrylic on canvas
28 x 36 in
Blush, installation view, 2026
Anne Libby, Each Star’s a Pool of Water, 2021
satin, batting
76 x 57 in
Blush, installation view, 2026
Wanda Koop, Ghost Tree AI - Deep Burgundy, 2024
acrylic on canvas
108 x 48 in
Blush, installation view, 2026
Their works pulse with a quiet urgency, tracing the porous boundary between the organic and the algorithmic, the human and the machine—where sensation, color, and form still carry the charge of something deeply felt. In this space of tension and possibility, the works gather under the soft provocation of Blush: a moment of warmth, exposure, and recognition that moves through the natural and the technological alike.
Sarah Miska, Red Tape, 2025
acrylic on canvas
40 x 30 in
Blush, installation view, 2026
Blush, installation view, 2026
Jane Swavely, Red Painting #1, 2026
oil on canvas
56 x 44 in
Blush, installation view, 2026
Cynthia Daignault, Stable Diffusion 2, 2024
oil on linen
30 x 72 in
Blush, installation view, 2026
