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BLUSH

Night Gallery is thrilled to present a curatorial residency at Christie’s San Francisco for Blush, a group exhibition featuring works by Sarah Blaustein, Cynthia Daignault, Mira Dancy, Wanda Koop, Lily Kwong, Anne Libby, Sarah Miska, Elise Rasmussen, and Jane Swavely.

Installation view of "Blush"

Blush, installation view, 2026

A painting by Jane Swavely of a rusty red vertical stripe against silver pigment.

Jane Swavely, Light Trap #6, 2024

oil on canvas

73 x 61 in

A lumen print by Lily Kwong of three clovers and shrubbery in soft beige hues.

Lily Kwong, Three False Clovers, 2026

expired Ilford photo paper

13 1/2 x 10 1/2 in 

Installation view of "Blush"

Blush, installation view, 2026 

A painting by Sarah Blaustein of abstract expressive shapes spreading outward in pink, orange, blue and green hues.

Sarah Blaustein, Orange Blue Fog, 2026

ink and acrylic on canvas

40 x 40 in

Installation view of "Blush"

Blush, installation view, 2026 

A photograph by Elise Rasmussen of a bonfire and fireworks at the Spiral Jetty.

Elise Rasmussen, the 4th (Spiral Jetty), 2024 

archival pigment print, walnut frame

60 x 48 in

Installation view of "Blush"

Blush, installation view, 2026

Technology haunts the contemporary landscape, filtering even our most intimate encounters with nature and beauty. As artificial intelligence reshapes creative practice and daily life, these artists consider what it means to make, to see, and to exist in an increasingly mediated world.

A painting by Mira Dancy of colorful trees and grasses underneath a blue sky.

Mira Dancy, Canyon Crest Oaks, 2025

oil and acrylic on canvas

28 x 36 in

Installation view of "Blush"

Blush, installation view, 2026 

A stretched textile work by Anne Libby of silver, green and burgundy shapes sewn into a grid.

Anne Libby, Each Star’s a Pool of Water, 2021

satin, batting

76 x 57 in

Installation view of "Blush"

Blush, installation view, 2026 

A large vertically rectangular painting by Wanda Koop of three red branches that form the letters "AI" against a burgundy sky.

Wanda Koop, Ghost Tree AI - Deep Burgundy, 2024

acrylic on canvas

108 x 48 in

Installation view of "Blush"

Blush, installation view, 2026

Their works pulse with a quiet urgency, tracing the porous boundary between the organic and the algorithmic, the human and the machine—where sensation, color, and form still carry the charge of something deeply felt. In this space of tension and possibility, the works gather under the soft provocation of Blush: a moment of warmth, exposure, and recognition that moves through the natural and the technological alike.

A painting by Sarah Miska of a horses' rear end with a braided tail tied with red elastic.

Sarah Miska, Red Tape, 2025

acrylic on canvas

40 x 30 in

Installation view of "Blush"

Blush, installation view, 2026

Installation view of "Blush"

Blush, installation view, 2026

A red painting by Jane Swavely with burgundy pigment along the left and top edge of the canvas.

Jane Swavely, Red Painting #1, 2026

oil on canvas

56 x 44 in

Installation view of "Blush"

Blush, installation view, 2026

A painting by Cynthia Daignault of two figures laying in the gras on white blankets.

Cynthia Daignault, Stable Diffusion 2, 2024

oil on linen

30 x 72 in

Installation view of "Blush"

Blush, installation view, 2026 

A painting by Jane Swavely of a rusty red vertical stripe against silver pigment.

Jane Swavely

Light Trap #6, 2024

oil on canvas

73 x 61 in (185.4 x 154.9 cm)

Inquire
A lumen print by Lily Kwong of three clovers and shrubbery in soft beige hues.

Lily Kwong

Three False Clovers, 2026

expired Ilford photo paper

13 1/2 x 10 1/2 in (34.3 x 26.7 cm)
framed: 16 1/2 x 13 1/4 in (41.9 x 33.7 cm)

Inquire
A painting by Sarah Blaustein of abstract expressive shapes spreading outward in pink, orange, blue and green hues.

Sarah Blaustein

Orange Blue Fog, 2026

ink and acrylic on canvas

40 x 40 in (101.6 x 101.6 cm)

Inquire
A photograph by Elise Rasmussen of a bonfire and fireworks at the Spiral Jetty.

Elise Rasmussen

the 4th (Spiral Jetty), 2024 

archival pigment print, walnut frame

60 x 48 in (152.4 x 121.9 cm)
framed: 60 3/4 x 49 in (154.3 x 124.46 cm)

Ed. of 2 + 2 A.P. (#1/2)

Inquire
A painting by Mira Dancy of colorful trees and grasses underneath a blue sky.

Mira Dancy

Canyon Crest Oaks, 2025

oil and acrylic on canvas

28 x 36 in (71.1 x 91.4 cm)

Inquire
A stretched textile work by Anne Libby of silver, green and burgundy shapes sewn into a grid.

Anne Libby

Each Star’s a Pool of Water, 2021

satin, batting

76 x 57 in (193 x 144.8 cm)

Inquire
A large vertically rectangular painting by Wanda Koop of three red branches that form the letters "AI" against a burgundy sky.

Wanda Koop

Ghost Tree AI - Deep Burgundy, 2024

acrylic on canvas

108 x 48 in (274.3 x 121.9 cm)

Inquire
A painting by Sarah Miska of a horses' rear end with a braided tail tied with red elastic.

Sarah Miska

Red Tape, 2025

acrylic on canvas

40 x 30 in (101.6 x 76.2 cm)

Inquire
A red painting by Jane Swavely with burgundy pigment along the left and top edge of the canvas.

Jane Swavely

Red Painting #1, 2026

oil on canvas

56 x 44 in (142.2 x 111.8 cm)

Inquire
A painting by Cynthia Daignault of two figures laying in the gras on white blankets.

Cynthia Daignault

Stable Diffusion 2, 2024

oil on linen

30 x 72 in (76.2 x 182.9 cm)
framed: 31 1/2 x 73 1/2 in (80 x 186.7 cm)

Inquire
A painting by Jane Swavely of a rusty red vertical stripe against silver pigment.

Jane Swavely

Light Trap #6, 2024

oil on canvas

73 x 61 in (185.4 x 154.9 cm)

A lumen print by Lily Kwong of three clovers and shrubbery in soft beige hues.

Lily Kwong

Three False Clovers, 2026

expired Ilford photo paper

13 1/2 x 10 1/2 in (34.3 x 26.7 cm)
framed: 16 1/2 x 13 1/4 in (41.9 x 33.7 cm)

A painting by Sarah Blaustein of abstract expressive shapes spreading outward in pink, orange, blue and green hues.

Sarah Blaustein

Orange Blue Fog, 2026

ink and acrylic on canvas

40 x 40 in (101.6 x 101.6 cm)

A photograph by Elise Rasmussen of a bonfire and fireworks at the Spiral Jetty.

Elise Rasmussen

the 4th (Spiral Jetty), 2024 

archival pigment print, walnut frame

60 x 48 in (152.4 x 121.9 cm)
framed: 60 3/4 x 49 in (154.3 x 124.46 cm)

Ed. of 2 + 2 A.P. (#1/2)

A painting by Mira Dancy of colorful trees and grasses underneath a blue sky.

Mira Dancy

Canyon Crest Oaks, 2025

oil and acrylic on canvas

28 x 36 in (71.1 x 91.4 cm)

A stretched textile work by Anne Libby of silver, green and burgundy shapes sewn into a grid.

Anne Libby

Each Star’s a Pool of Water, 2021

satin, batting

76 x 57 in (193 x 144.8 cm)

A large vertically rectangular painting by Wanda Koop of three red branches that form the letters "AI" against a burgundy sky.

Wanda Koop

Ghost Tree AI - Deep Burgundy, 2024

acrylic on canvas

108 x 48 in (274.3 x 121.9 cm)

A painting by Sarah Miska of a horses' rear end with a braided tail tied with red elastic.

Sarah Miska

Red Tape, 2025

acrylic on canvas

40 x 30 in (101.6 x 76.2 cm)

A red painting by Jane Swavely with burgundy pigment along the left and top edge of the canvas.

Jane Swavely

Red Painting #1, 2026

oil on canvas

56 x 44 in (142.2 x 111.8 cm)

A painting by Cynthia Daignault of two figures laying in the gras on white blankets.

Cynthia Daignault

Stable Diffusion 2, 2024

oil on linen

30 x 72 in (76.2 x 182.9 cm)
framed: 31 1/2 x 73 1/2 in (80 x 186.7 cm)