Night Gallery is pleased to announce Reflections, a presentation of new paintings by Esiri Erheriene-Essi. This is the artist’s first solo exhibition with the gallery. Based in Amsterdam, Erheriene-Essi created these works across an ocean, their arrival in Los Angeles a resonant offering—bringing with them the quiet weight of distance traveled and stories carried.

Esiri Erheriene-Essi, Reflections, installation view, 2025

Esiri Erheriene-Essi, When You Were Young (Sweet Sixteen), 2025

Esiri Erheriene-Essi, When You Were Young (Sweet Sixteen), detail, 2025

Esiri Erheriene-Essi, Reflections, installation view, 2025
Across this new body of work, Erheriene-Essi carries on with her time-honored tradition of breathing life into inspired and discarded photographs, using paint, color, and layered ephemera to investigate memory. The artist works through her paintings with the same skill and stewardship as a quilter, threading together histories through texture and tone. In this new series, she embraces the flatness of photographic source material while deepening the emotional and chromatic complexity of brown skin—bringing dimension, variation, and luminosity to the surface.

Esiri Erheriene-Essi, Tomorrow is a long long time, 2025

Esiri Erheriene-Essi, Reflections, installation view, 2025

Esiri Erheriene-Essi, Reflections, installation view, 2025

Esiri Erheriene-Essi, Grandma’s Hands, 2025

Esiri Erheriene-Essi, Grandma’s Hands, detail, 2025

Esiri Erheriene-Essi, Reflections, installation view, 2025
An archivist and collector first, Erheriene-Essi begins her process by mining through estates and online repositories for faces and vignettes that speak to her. This collection has amassed across continents and oceans, from North America to Europe to Africa, demonstrating the diversity of Black identity, while illuminating the moments that are universal across all our memories.

Esiri Erheriene-Essi, Reflections, installation view, 2025

Esiri Erheriene-Essi, As my grandma always used to say, don't go borrowing trouble, 2023

Esiri Erheriene-Essi, Reflections, installation view, 2025

Esiri Erheriene-Essi, Same Town, New Story (Nigeria Airways), 2023

Esiri Erheriene-Essi, Reflections, installation view, 2025
In her dissection of memory, Erheriene-Essi is a visual anthropologist, reading images for context clues and filling their gaps with gestures from her own lived experience. In A memory from your youth (London Trocadero), a fan poster for Beyoncé’s Cowboy Carter tour noticeably sits on the shirt of a girl eating ice cream in the 1970s. The artist’s temporal twist, fusing together past and present, melds Black iconography with earnest symbols of nostalgia. As an artist, her mastery of collapsing time ensures the continuity of the culture.
These paintings were created over the course of two years, in rhythm with the demands of motherhood—a theme that quietly permeates the work through the lens of legacy and inheritance. Erheriene-Essi sees her practice as an active conversation, one that begins with her paintings but is completed by the viewer’s own activations of memory.

Esiri Erheriene-Essi, The Reunion, 2024

Esiri Erheriene-Essi, Reflections, installation view, 2025

Esiri Erheriene-Essi, The Icing on the Cake, 2025
Erheriene-Essi is deeply moved by the connection between the diaspora, not only across geography, but across time. Throughout Reflections she continues her exploration of this relationship. Motifs such as the Black power fist, the face of Toni Morrison, a “Dismantle Apartheid” pin, all time travel accentuating the meaning of timelessness within the collective memory.

Esiri Erheriene-Essi, Reflections, installation view, 2025
This evolution is on view in A Royal Flush, a work depicting what the artist imagines to be a group of men enjoying their last days together before deployment to Vietnam. Their faces are marked by a spectrum of hues, highlights, shadows, and undertones, encapsulating the use of color as a tool to depict emotion.

Esiri Erheriene-Essi, Reflections, installation view, 2025

Esiri Erheriene-Essi, Reflections, installation view, 2025

Esiri Erheriene-Essi, A Royal Flush, 2025

Esiri Erheriene-Essi, Reflections, installation view, 2025
The exhibition is titled in honor of the song by Diana Ross & The Supremes, a comfort album that has accompanied the artist through many seasons of her life, including the making of this body of work. The most apropos of the lyrics being:
“Reflections of the way life used to be. Reflections of the love you took from me.”

Esiri Erheriene-Essi, A memory from your youth (London Trocadero), 2024
In faded hues and frayed edges, Erheriene-Essi develops an architecture of remembrance, for what has been lost, and for which should never be. Her paintings become mirrors, not of the past as it was, but as it is felt. Reflection as a sacred act of reclamation.
-Shaquille Heath

Esiri Erheriene-Essi, Reflections, installation view, 2025

Esiri Erheriene-Essi, E is for Everybody, 2023

Esiri Erheriene-Essi, E is for Everybody, detail, 2023
Esiri Erheriene-Essi (1982) is a United Kingdom-born and Amsterdam-based Nigerian artist from Lewisham, South London. In 2000 she attended Camberwell College of Art for a foundation year. From 2001-2004 she studied Media Studies at University of East London and attained a Masters of Fine Art from the same university in 2006. In 2007 Erheriene-Essi attended the international residency programme De Ateliers in Amsterdam, the Netherlands and in 2009 she won the prestigious Dutch Royal Award for Modern Painting prize. In 2011 she was a nominee for the Volkskrant Visual Arts Prize, and in 2014 Erheriene-Essi had her first museum solo exhibition at Museum Arnhem, the Netherlands. In 2019 she was shortlisted for the Prix de Rome, the oldest and most generous prize for talented artists and architects in the Netherlands.