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Almine Rech: Andrea Marie Breiling "Sweet Dreams of Rhythm and Dancing"
Let's Make Lots of Monet | Issey Scott
DECEMBER 12, 2021
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Kandis Williams: ‘Pretty things puzzle me’
Art Basel Stories
DECEMBER 1, 2021
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Kandis Williams Envisions Dancing Bodies Without Borders
The New York Times | Siddhartha Mitter and Siobhan Burke
OCTOBER 28, 2021
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Ocula Features Danielle Mckinney as one of their Frieze London Advisory Selections
Ocula | Rory Mitchell
OCTOBER 12, 2021
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Tomashi Jackson Discusses Her Exhibition at the Harvard Radcliffe Institute, "Brown II"
The Harvard Crimson | Christie K. Choi and Jorge O. Guerra
September 21, 2021
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Tau Lewis in W Magazine Feature on 52 Walker Director Ebony L. Haynes
W Magazine | Brooke Marine
September 17, 2021
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Kandis Williams in W Magazine Feature on 52 Walker Director Ebony L. Haynes
W Magazine | Brooke Marine
September 17, 2021
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Tomashi Jackson's exhibition "The Land Claim" Reviewed in Hyperallergic
Hyperallergic | David Carrier
September 16, 2021
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Penta Features Josh Callaghan's Armory Off-Site Presentation, "Social Block"
Penta | Abby Schultz
August 2021
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Robert Nava Included in Artsy's Weekly List of In-Demand Works
Artsy | Kaylie Felsberg and Beatrice Sapsford
August 12, 2021
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Kandis Williams' Cassandra Press Exhibition at LAXART Reviewed By Ocula
Ocula | Nicholas Nauman
JULY 6, 2021
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Why Danielle McKinney Abandoned Photography In Favour of Painting
Elephant | Charlotte Jansen
JUNE 4, 2021
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Work by Claire Tabouret Featured as one of Artsy's "10 In-Demand Works This Week"
Artsy | Kaylie Felsberg and Beatrice Sapsford
JUNE 3, 2021
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Wanda Koop at BLOUIN DIVISION Reviewed in Artforum
Artforum | Ara Osterweil
Summer 2021
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“Brie Ruais: Movement at the Edge of the Land” at the Moody Center for the Arts Featured as one of the Observer's 9 Must-See Museum Exhibitions of Summer 2021
Observer | Helen Holmes
JUNE 1, 2021
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Against all odds
GQ Style | Francesca Gavin
MAY 28, 2021
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Grant Levy-Lucero's Work for Tom of Finland: Benefit Auction Featured on Artsy
Artsy | Cornelia Smith & Beatrice Sapsford
MAY 27, 2021
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Josh Callaghan and Chaz Guest Seek the "Promised Land" in Duo Exhibition
HYPEBEAST | Keith Estiler
MAY 11, 2021
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Art brings two artists together at Night Gallery
Los Angeles Downtown News | Bridgette M. Redman
MAY 6, 2021
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Collective Learning with Cassandra Press
Frieze | Olamiju Fajemisin
April 21, 2021
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Andrea Marie Breiling Mixes Up a Dream Cocktail
Cultured | Barry Schwabsky
APRIL 10, 2021
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Andrea Marie Breiling’s Emotional, Physically-Charged New Paintings
Whitewall | Pearl Fontaine
APRIL 6, 2021
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Numéro Magazine Features Kandis Williams
Numéro Magazine | Nicolas Trembley
APRIL 2021 ISSUE
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Robert Nava: With Flying Colors at Vito Schnabel
Whitehot Magazine | Kurt McVey
MARCH 2021
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Meet Artist Kandis Williams, Whose Poetic Work Has a Sharp, Cerebral, and Radically Political Edge
Artnet News | Janelle Zara
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Awol Erizku Brings His Afrocentric Symbolic Universe to New York City’s Bus Shelters
New York Magazine | Diana Budds
FEBRUARY 23, 2021
The Measure of All Things
Art in America | Leah Ollman
FEBRUARY 23, 2021
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Sean Townley at Kristina Kite Gallery
Carla | Travis Diehl
FEBRUARY 19, 2021
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JPW3's Featured in the New York Times
The New York Times | Jacoba Urist
February 17, 2021
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Inside an Eclectic Los Angeles Wonderland Home designed by AD100 Firm Charlap Hyman & Herrero
Architectural Digest | Mayer Rus
FEBRUARY 16, 2021
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"Samara Golden: Upstairs at Steve's" Reviewed by Hyperallergic
Hyperallergic | Olivia Jia
February 9, 2021
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The Story Behind Awol Erizku's Photograph of Amanda Gorman for the Cover of TIME
TIME Magazine | Sanya Mansoor
FEBRUARY 3, 2021
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Samara Golden's Exhibition at the The Fabric Workshop and Museum Featured in The Brooklyn Rail
The Brooklyn Rail | Elizabeth Buhe
February 2021
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Tau Lewis in Conversation with Hans Ulrich Obrist
Mousse Magazine
WINTER 2021
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Gallery Rounds: Brie Ruais
Artillery | Jody Zellen
JANUARY 6, 2021
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Hyperallergic Interviews Tomashi Jackson and Three Other Artists
Hyperallergic | Natalie Haddad
JANUARY 2, 2021
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Brie Ruais' Desert Magic
GARAGE | Osman Can Yerebakan
DECEMBER 18, 2020
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Capsule Reviews: Sophia Narrett, Brie Ruais, Megumi Shinozaki
DECEMBER 4, 2020
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Kandis Williams
PIN-UP | Chloe Wayne & Mahfuz Sultan
Fall/Winter 2020
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Derek Fordjour's “Boom! Lockstep! March!” Featured in T Magazine
T Magazine
NOVEMBER 27, 2020
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Marisa Takal Featured in Artsy's "20 Artists on the Work They Made in 2020"
Artsy | Artsy Editorial
NOVEMBER 20, 2020
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Claire Tabouret’s New Self-Portraits Capture the Fragility of Solitude
Artsy | Jacqui Palumbo
October 26, 2020
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Awol Erizku Explores Blackness That Knows No Borders
Cultured | Charmaine Picard
OCTOBER 6, 2020
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Dilated Reflections
MOUSSE | Philipp Hindhal
OCTOBER 2020
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Awol Erizku is Creating a New Language
GQ | Antwaun Sargent
OCTOBER 1, 2020
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Cassandra Press Redefines the Way Black Critical Theory Is Taught
W Magazine | Brooke Marine
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Artist Mira Dancy and Night Gallery’s Davida Nemeroff Talk a Decade of Collaboration
Galerie Magazine | Hilarie M. Sheets
July 15, 2020
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Kandis Williams featured in "ESSAYS Mousse 71: POWWOW"
Mousse Magazine
Spring 2020
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Parrish Art Museum Receives NEA Grant for ‘Tomashi Jackson: The Land Claim’
Dan's Papers | Dan's Arts & Entertainment Team
JUNE 12, 2020
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Claire Tabouret Explores the Familial Relationship in "Siblings" Exhibition
Hypebeast | Keith Estiler
JUNE 1, 2020
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Derek Fordjour Honors Disenfranchised Communities in His Vibrant, Layered Work
Artsy | Jacqui Germain
JUNE 3, 2020
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Night Gallery Now Represents Tomashi Jackson
ARTnews | Maximilíano Durón, Claire Selvin, Tessa Solomon
May 29, 2020
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Review: Hank Willis Thomas, Tomashi Jackson and a different kind of color theory
Los Angeles Times | Sharon Mizota
FEBRUARY 6, 2020
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Tomashi Jackson Presents Forever My Lady @ Night Gallery in Los Angeles
Autre
JANUARY 22, 2020
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The Whitney Biennial: Young Art Cross‑ Stitched With Politics
The New York Times | Holland Cotter
MAY 16, 2019
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The Whitney Biennial Called. How Will They Answer?
The New York Times | Siddhartha Mitter
MAY 9, 2019
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"Tomashi Jackson: Time Out of Mind” at Tilton Gallery
Galerie | Ted Loos
MAY 10, 2019
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Noted Artist Tomashi Jackson’s Work Highlights KCP’s Real Estate Scandal Series At The Whitney
Kings County Politics | Kelly Mena
APRIL 15, 2019
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What to See at the Armory Show, Volta, NADA, and the Independent
Galerie | Paul Lester
MARCH 5, 2018
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Using Abstraction as a Political Tool
Hyperallergic | Monica Uszerowicz
NOVEMBER 28, 2017
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How to Embed a Shout: A New Generation of Black Artists Contends with Abstraction
Hyperallergic | Seph Rodney
AUGUST 23, 2017
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The Linguistic Overlap of Color Theory and Racism
Hyperallergic | Risa Puleo
DECEMBER 2016
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What 11 Artists Have Created During Quarantine
Architectural Digest | Gay Gassmann
May 19, 2020
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24 Great Minds on Being Creative in the Time of Quarantine
GQ | The Editors of GQ
MAY 14, 2020
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TERRESTRIAL AFFAIR: Brie Ruais
Art Asia Pacific | Jodi Throckmorton, Frauke V. Josenhans, and Martha Tuttle
May/June 2020
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Jesse Mockrin Paints Billie Eilish in the Style of Caravaggio for Vogue
Vogue | Dodie Kazanjian
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Suzanne Hudson on Claire Tabouret
Artforum | Hudson
MAY 1, 2020
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Robert Nava's Secret Friends
Office | Lance de los Reyes
APRIL 24, 2020
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Charity auction raises more than €2m for French healthcare workers
The Art Newspaper | Gareth Harris
APRIL 6, 2020
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Derek Fordjour Considers the Precariousness of Shelter
Hyperallergic | Jack Radley
APRIL 6, 2020
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Amid Social Distancing, Clay is a Unifying Medium
AEQAI | Annabel Osberg
MARCH 28, 2020
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Grant Levy-Lucero
Amadeus Magazine | Kelly Wang Shanahan
March 2020
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Review: Coronavirus closed Craft Contemporary’s biennial, but it can’t stop our love of the art
The Los Angeles Times | Leah Ollman
March 14, 2020
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Openings: Kandis Williams
Artforum | Hannah Black
MARCH 2020
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David Korty chosen as UNM Art Department's Frederick Hammersley Visiting Artist
UNM Newsroom
March 11, 2020
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The Armory Show 2020: The Most Instagram-Friendly Artworks
L'Officiel Art | Ali Webb
MARCH 6, 2020
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Armory Show Names Three Prize Winners for 2020 Edition, Including Inaugural AWARE Prize for Women Artists
MARCH 6, 2020
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Robert Nava's New Mythologies
Hypebeast | Keith Estiler
MARCH 3, 2020
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Looking for Fresh Talent? Here Are 7 Rising-Star Artists to Seek Out at Armory Week 2020 in New York
Artnet News | Maria Vogel
MARCH 2, 2020
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Han Bing: A Labile Boundary at Best
FLASH ART | Fiona He
MARCH 1, 2020
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Getting Your Weather Report at the Art Museum
Hyperallergic | Louis Bury
FEBRUARY 15, 2020
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Anne Libby: Acting Blanks
Emulsion Magazine | Melinda Lang
January 17, 2020
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11 Emerging Artists Redefining Abstract Painting
Artsy | Alina Cohen
January 6, 2020
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The pieces fit perfectly at the DMA’s new Wanda Koop exhibition
The Dallas Morning News | Ben Lima
NOVEMBER 19, 2019
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Public Art Fund’s 2020 Exhibitions Will Include Awol Erizku’s Photos Taken in US Prisons
Observer | Helen Holmes
NOVEMBER 15, 2019
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Concentrations 62: Wanda Koop: Dreamline
Airmail
NOVEMBER 9, 2019
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27 Must-See Exhibitions at Artissima 2019
Whitehot Magazine | Paul Laster
OCTOBER 29, 2019
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Winnipeg artist Wanda Koop’s Dreamline opens at Dallas Museum of Art
The Globe and Mail | Craig Offman
OCTOBER 28, 2019
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New York Galleries: What to See Right Now
The New York Times | Will Heinrich
OCTOBER 17, 2019
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Brooklyn-based ‘rising star’ in arts world to return to Region to give talk at IUN
The Times of Northwest Indiana | Joseph S. Pete
OCTOBER 15, 2019
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Acclaimed artist Robert Nava returns to alma mater IUN
Chicago Tribune | Erika Rose
OCTOBER 11, 2019
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The Artsy Vanguard 2019
Artsy
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The 12 Unmissable Art Exhibitions of 2019
Observer | Helen Holmes
September 12, 2019
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Grant Levy-Lucero's Ceramics Turn Into Designs for Acne Studios Capsule Collection
Hypebeast | Gabrielle Leung
September 10, 2019
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A Statement-Making Austin Home With a World-Class Art Collection
Architectural Digest | Jennifer Fernandez
AUGUST 16, 2019
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Performance Art Pick: Kandis Williams at Blum & Poe
LA Weekly | Shana Nys Dambrot
AUGUST 16, 2019
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Robert Nava Grapples with Mythical Creatures for "Vs" Exhibition
Hypebeast | Keith Estiler
August 14, 2019
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Robert Nava Vs. Monsters at Night Gallery
LA Weekly | Lyle Zimskind
August 8, 2019
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Jasmine Little; Robert Nava
Artillery | Annabel Osberg
August 7, 2019
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The Sea, the Sea: Maritime Romance is Laid Bare by Claire Tabouret
Elephant | Joe Lloyd
JULY 24, 2019
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Art is the End of Time
Vision | Du Junzi
JUNE 2019
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Paul Heyer Again at Night Gallery
The New Masters | Mark Sullivan
JUNE 8, 2019
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Culture Seeker
Cultured | Laura de Ginsburg
May 2019
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What Sold at Frieze New York 2019
Artsy | Nate Freeman
May 6, 2019
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What Makes a Figurative Painting Good?
Artsy | Alina Cohen
04/11/2019
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Frieze New York is Back: Here Are the Artists You Don't Want to Miss
i-D | Sarah Moroz
May 2, 2019
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Cara Benedetto
Art in America | Brian Droitcour
MAY 1, 2019
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Claire Tabouret, 'Assa Traoré'
Vogue Paris
February 2019
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Night Gallery's Frieze LA Booth Selected as One of Galerie Magazine's Top 10
February 15, 2019
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MutualArt: 6 Artists to Watch from the First Los Angeles Frieze Week
February 14, 2019
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Reviews: Jesse Mockrin at Night Gallery
Art in America | Travis Diehl
FEBRUARY 1, 2019
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‘I Don’t Want to Be a Blip’: An Artist on the Rise Adjusts to the Spotlight
The Wall Street Journal | Kelly Crow
JANUARY 30, 2019
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Cara Benedetto at Chapter NY
Artforum | Nicholas Chittenden Morgan
January 15, 2019
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Greek Mythology Explored in Beautiful Show by Jesse Mockrin @ Night Gallery, LA
Juxtapoz
JANUARY 9, 2019
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Monday Gallery: Syrinx by Jesse Mockrin
Browsings: The Harper's Blog
December 31, 2018
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Snap Reviews: Jesse Mockrin at Night Gallery
Carla | Lindsay Preston Zappas
December 13, 2018
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14 Highlights of Art Basel in Miami Beach
Galerie | Lucy Rees and Rozalia Jovanovic
December 8, 2018
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The 10 Best Booths at Art Basel in Miami Beach
Cultured | Benoît Loiseau
December 8, 2018
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The 15 Best Booths at Art Basel in Miami Beach
Artsy | Alina Cohen
December 6, 2018
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Kids, Kabinett and going crazy for KAWS: talking points at Art Basel in Miami Beach
The Art Newspaper | Margaret Carrigan
December 6, 2018
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Marisa Takal: People People People People People Building
Delicious Line | William Corwin
October 28, 2018
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Upcoming: Han Bing @ Night Gallery
AMMO Magazine | Catherine Yang
OCTOBER 10, 2018
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See Highlights of Expo Chicago 2018
Galerie | Paul Laster
OCTOBER 1, 2018
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Grant Levy-Lucero, "Peripherique"
Kozzarte
September 2018
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Rencontre avec Grant Levy-Lucero, l'artiste qui agite Los Angeles
L'Officiel | Delphine Valloire
October 2018
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The Many Shades and Meanings of the Color Blue
Hyperallergic | Jennifer Reminchik
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Andy Woll's 150 Paintings of Mt. Wilson
March 12, 2018
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Hedi Slimane Photographs a New Class of LA Artists
Kevin McGarry | Garage
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This Artist Created 150 Paintings About Mt. Wilson
Artnet News | Henri Neuendorf
February 22, 2018
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In the Studio with Jesse Mockrin | Sixty Hotels
FEBRUARY 21, 2018
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Marisa Takal at Night Gallery
Art and Cake | Kathy Zimmerer
December 22, 2017
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Marisa Takal: Beyond Oy Too Scared to Ha Ha
WhiteHot Magazine | Shana Nys Dambrot
December 7, 2017
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Du nouveau et du lourd!
Beaux Arts
November 1, 2017
Frieze Editorial Reviews Tau Lewis & Curtis Santiago at Cooper Cole
Frieze Editorial | Charles Reeves
September 1, 2017
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Critics’ Picks: Tau Lewis and Curtis Santiago in Artforum
Artforum | Gabrielle Moser
September 2017
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A New Hologram of Serena Williams at Martos Gallery
The New York Times | Robin Pogrebin
August 18, 2017
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Derek Boshier
Autre | Oliver Maxwell Kupper
August 1, 2017
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Pierre Yovanovitch Unveils Fresco in his Provence Chapel
Architectural Digest | Hadley Keller
July 1, 2017
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Peak Performance
Cultured | Maxwell Williams
SUMMER 2017
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Critic’s Pick: Yoko Ono and Claire Tabouret
ARTFORUM | Maria Chiara Valacchi
June 28, 2017
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David Bowie and The Clash Were Fans of Derek Boshier’s Art, and You Should Be Too
Vice | Katie Bain
May 25, 2017
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New York City Roundup
Art Agenda | Orit Gat
May 23, 2017
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Right Now is a Blockbuster Moment for Female Artists
Vulture | Jerry Saltz
May 19, 2017
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Polychromatic Clairvoyance
Modern Painters | Margaret Carrigan
May 17, 2017
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Cynthia Daignault's "There Is Nothing I Could Say That I Haven't Thought Before:" The ethics of curating as an ethics of care
BOMB | Ted Dodson
MAY 11, 2017
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10 Female Artists to Watch
ELLE | Emily McDermott
May 9, 2017
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VIDEO: Mira Dancy in the Studio
ARTNEWS | Editors
May 1, 2017
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How Galleries Support Their Artists
Artsy by Anna Marie Sussman
April 24, 2017
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Why is the RCA the best art and design school in the world?
The Independent | Kashmira Gander
April 6, 2017
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XOXO to Exo
Vogue Korea | Cho So Hyun
APRIL 1, 2017
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All My Fault: The Artist Christine Wang’s Political Show at Galerie Nagel Draxler
Tagesspeigel
February 25, 2017
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Goings On About Town: Cynthia Daignault
The New Yorker | Will Heinrich
FEBRUARY 6, 2017
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In the Studio with Tau Lewis
Canadian Art | Caoimhe Morgan-Feir
November 24, 2016
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Bearing Wit(h)ness: The Art of Kandis Williams
KCET Artbound | Maxwell Williams
November 18, 2016
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Critic's Pick: Cara Benedetto
Artforum | Honora Shea
October 27, 2016
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Cela Me Fait du Bien de Pouvoir l’Admirer
ELLE
October 14, 2016
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Contemporary Print Handbook
Edited by Cara Benedetto
September 15, 2016
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Mira Dancy
Elephant | Ariela Gitlen
September 1, 2016
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Consumer Reports: Marisa Takal
ARTnews | Marisa Takal
August 31, 2016
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Artnet Asks: Ian Davis and the Art of Politics
Artnet News
JULY 12, 2016
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10 NYC Artists 35 and Under You Should Know
TimeOut | Howard Halle
JUNE 24, 2016
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These 20 Female Artists are Pushing Figurative Painting Forward
Artsy | Casey Lesser
June 10, 2016
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Mira, Mira
Vogue | Dodie Kazanjian
June 1, 2016
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Masterpiece Selection
Masterpiece London | Lauren Prakke
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War Games Exhibition Opens June 2
Daily Detroit | Ardelia Lee
May 24, 2016
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Art Basel Hong Kong – Our Favorite Works
Ultra Vie | Loretta Perri
March 24, 2016
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Artists Grapple With America’s Prison System
The New York Times | Sabine Heinlein
March 11, 2016
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Cynthia Daignault
Art in America | David Duncan
MARCH 2016
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Question and Answer Between Jamie Morra and Rose Marcus
Foundations Magazine | Jamie Morra
SPRING 2016
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Critic's Pick: Kandis Williams
ARTFORUM | Andy Campbell
February 1, 2016
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Critics’ Picks: Sean Townley
ARTFORUM | Travis Diehl
December 5, 2015
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Critic's Pick: Cynthia Daignault
Artforum | Lauren Cavalli
NOVEMBER 20, 2015
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On the Road with Cynthia Daignault at Lisa Cooley Gallery
NOVEMBER 2, 2015
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The Morning News Profiles Ian Davis
The Morning News | Rosecrans Baldwin
OCTOBER 20, 2014
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Sex at a Benefit: Cara Benedetto and Chapter NY Throw ‘Come Early Come Often’
The Observer | Zoë Lescaze
September 23, 2014
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Artist Flips the Conventional “Benefit Gala” on Its Head
ArtNet News | Cait Munro
September 12, 2014
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The Underground Museum’s New Exhibit Combines Contemporary Work With Centuries-Old African Art
LA Weekly | Catherine Wagley
08/21/2014
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New Hells
The New York Times | Holland Cotter
JULY 31, 2014
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New Dawn
Art Agenda | Natasha Ginwala
July 30, 2014
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JPW3: The Alchemy of New School Pop Art
Artbound | Nikki Darling
June 9, 2014
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The Mediating Screen as Subject
EyeContact | Laura Brown
July 3, 2014
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Derek Boshier's "Change"
Art Agenda | Ana Teixeira Pinto
April 10, 2014
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Patrick Walsh's 'Hot Pot Charmer: Day 3'
SFAQ International Arts & Culture | Eric Kim
April 1, 2014
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JPW3, Solid Single Burner
The Miami Rail | Amanda Sanfilippo
04/01/2014
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A Pop Artist Who's Never Conformed
Hyperallergic | Robert Moeller
October 21, 2013
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Imaginary Portraits
National Portrait Gallery | Paul Moorhouse
October 1, 2013
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Rediscovering Derek Boshier
Modern Painters | Doug Harvey
September 1, 2013
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Substance Galerie Antoine Levi, Paris
ART PAPERS
August 31, 2013
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Sketchers Shape-Ups Work, Work at Night Gallery, Los Angeles
SFAQ
July 12, 2013
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Norman Rockell's Boy Scouts, Updated
LA Weekly | Catherine Wagley
July 4, 2013
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Downtown Exhibition Looks at Money in the Art World, From Kickstarter to Michael Ovitz
LA Weekly | Catherine Wagley
June 27, 2013
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Pop Pyramid
Texte Zur Kunst | Alex Kitnick
June 1, 2013
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Derek Boshier
Artforum | James Nisbet
May 1, 2013
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Sean Townley ‘The Mocking Hand’ at Night Gallery
notes on looking | Geoff Tuck
February 12, 2013
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Abigail Deville / Christine Wang
artillery | Ezrha Jean Black
October 1, 2012
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Turning a Page: Cara Benedetto at Taxer and Spengemann
New York Times Magazine | Kevin McGarry
November 14, 2011
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CRITIC'S PICK: Sayre Gomez and J. Patrick Walsh III
Artforum | Travis Diehl
June 1, 2011
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Metamorphic Rock
ArtSlant | Kate Wolf
February 28, 2011
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